Buddha Birth Day Festival 2011
buddha birth daysouthbankbrisbanefestivalcultural

Buddha Birth Day Festival 2011

Chris Harvey
Red paper lanterns at night are one of the most reliable subjects in festival photography. The light comes from inside.

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The altar inside the main tent was arranged with a precision that took my breath away. Every flower, every piece of fruit, placed with intention.

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The baby Buddha on the lotus stands in every year's display. I keep photographing it from different angles. It keeps rewarding the effort.

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Up close, a dragon costume is an explosion of colour and craft. The eyes are glass, the teeth are painted, and it is completely alive.

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She held the ceremonial bowl with both hands, head slightly bowed. The red robes against the soft background made the frame itself.

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The Buddha Birth Day Festival runs each year at Southbank Parklands, and it is the kind of event I return to because it is genuinely unlike anything else on the Brisbane calendar. This was my second year attending, and the first year I came fully prepared — earlier arrival, better position for the monk procession, time to explore the temple tents before the crowds built up.

The monks in orange walking through Southbank with hundreds of red lanterns overhead is one of the most photogenic scenes Brisbane produces. The colour contrast is almost too good — saffron and red against the green of the parklands and the white of the Suncorp building behind. I have learned that the procession begins at a specific time and moves in a specific direction, which means you can position yourself once and let it come to you.

On the temple tents: The interior spaces deserve as much attention as the outdoor performances. The main altar tent has elaborate floral arrangements, gilded statues, and offerings of fruit laid out in careful patterns. The light inside is controlled and warm, which suits close-up work well. I spent nearly half an hour in there before I felt I had what I wanted.

On the dragon: The dragon costume arrives flat and inert in a crate and becomes something entirely different once the operators are inside it. Shooting the head close and tight before the performance begins gives you an image that reads as a portrait — it has eyes, expression, personality. That intimacy disappears once it starts moving.

On the night session: The lanterns come into their full effect after dark. What reads as decoration by day becomes the primary light source once the sun is down, and the red glow transforms the entire precinct. I stayed well past the official program for this reason.

The festival is free to attend and well-organised. I have been coming back most years since.


More Buddha Birth Day Festival coverage: Buddha Birth Day Festival 2012 · Buddha Birth Day Festival 2013 · Buddha Birth Day Festival 2015

Chris Harvey